That Drifting Excrement Was Way Too Symbolic! These Are the Television Letdowns of the Year.
Looking back, we consider the TV landscape of the recent year, a handful of shows stand out not for their excellence, but for their notable shortcomings. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the productions that had us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this love/hate follow-up? Plagued with woeful scripts, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the show fought to find its footing. Briefly, as the final season started, it looked like it had finally hit its stride. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner announced this would be the last series. It concluded on a bum note; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? The answer is a resounding no.’
But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to start enumerating the problems. The laughably wooden dialogue? The tedious glorification of affluence and materialism? The almost wilful parade of tropes? Performances so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. Except, a second season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Considering the legal troubles, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part documentary which smirked its way at Sheen’s various bouts of self-destructive hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any pity this show might induce should be reserved for the people who have had to suffer proximity with this charismatic but dismissive egotist.
The Iris Affair
Naturally we knew it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.
The Gangster Drama
Dodgy characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is unfair on the crime shows of the late 90s. Many look a little old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were many other problems. Mainly that it was just profoundly dull; a conflict over narcotics territory between various cockney rogues which felt a bit basic.
The Meghan Markle Series
Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate provocations. But then you view them and are compelled to concede that in this case, they might have a point. It’s like watching a homeware magazine animated; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely unearned wealth. Ugh.
The Beckham Documentary
There are obviously fascinating things to be discussed about regarding Victoria Beckham and her struggles with career, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Instead, the viewing was akin to reading a marketing catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this guarded letdown of a series.
The Inheritance
It had the potential to be the next big hit – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality managing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was trying way too hard to emulate something far greater than it.
The Lena Dunham Romcom
How do you follow a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt icky.
Mitchell & Webb Are Not Helping
Not good enough to be ‘uneven’.
Given the shrewd inclusion of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have stayed in there a while longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly breezy, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.
Prime Target
We love the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about government agencies targeting – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This hagiography followed the content creator renowned for explicit exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we craved was far greater examination of her actual psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to haul her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.